स्मरं योनिं लक्ष्मीं त्रितयमिदमादौ तव मनो-
र्निधायैके नित्ये निरवधिमहाभोगरसिकाः ।
भजन्ति त्वां चिन्तामणिगुननिबद्धाक्षवलयाः
शिवाग्नौ जुह्वन्तः सुरभिघृतधाराहुतिशतैः ॥ 33 ॥
smaram yonim lakshmim tritayam idam adau tava manor
nidhayake nitye niravadhi mahabhogarasikah
bhajanti tvam cintamani gunani baddhaksavalayasa
sivagnau juhvantas surabhigrtaa dharahutisataih
Atmananda lahari 
The remaining verses, that is, 42-100 are composed by Adi Shankara himself, which mainly focuses on the appearance of the Goddess. All the 100 verses are collectively known as ‘Soundarya Lahari’. The Soundarya Lahari is not only a poem. It is a tantra textbook, giving instructions on Puja and offerings, many yantra, almost one to each shloka; describing the tantra technique of performing devotion connected to each specific shloka; and details the results ensuing therefrom. There are many interpretations and commentaries but best of these are arguably those that provide word-to-word translations, as also the yantra, the devotion to be performed and the results of the devotion. Verses 42-100 are more straightforward; they describe the physical beauty of the Goddess and are sometimes referred to as the Soundarya Lahari itself.
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